V.N. Volosinov’s Marxism
and the Philosophy of Language exists as a bridge between multiple
disciplines. Reading the first chapter
especially interested me since I’m also enrolled in a Linguistics course this
semester (ENGL 604), and many of the concepts Volosinov discusses reverberate
beyond the boundaries of our 651 course.
Human language (especially spoken language) seems to be, for
Marx-via-Volosinov, the primary core of existence; indeed, without the powers
of communication bestowed upon mankind by language, no dialectical (social)
progress would be possible between and among groups of humans. Volosinov beautifully summarizes language’s
impact on ideology, arguing:
[Ideology’s] real
place in existence is in the special social material of signs created by
man. Its specificity consists precisely
in its being located between organized individuals, in its being the medium of
their communication. Signs can arise
only on interindividual territory.
[…] It is essential that the two individuals be organized socially, that they compose a group (a social unit); only
then can the medium of signs take shape between them. (Volosinov 12)
Volosinov’s underlying idea here is,
ostensibly, that the term “ideology” can roughly be defined as “the special
social material of signs created by man.”
This conclusion might seem obvious, but most groundbreaking discoveries
(e.g., that the Earth is round and not the center of the universe) usually
appear this way in hindsight.
Furthermore, Volosinov seemingly elevates communication to the highest
level of significance in terms of the development of any ideology; indeed,
Volosinov argues that:
Every ideological
sign is not only a reflection, a shadow, of reality, but is also itself a
material segment of that very reality.
Every phenomenon functioning as an ideological sign has some kind of
material embodiment, whether in sound, physical mass, color, movements of body,
or the like. In this sense, the reality
of the sign is fully objective […] (11)
I’m reminded here of John 1:1 from
the Bible, which states, “In the beginning was the Word, and the word was with
God, and the Word was God.” When
Volosinov argues that words/signs are “fully objective,” he simultaneously
presents words as physical objects while defending signs as verifiable,
unquestionable entities (as opposed to something speculative or
opinion-based). Through the use of
signs, humans not only “reflect” reality (a la Plato’s cave-like “world of
appearances”), but we create and revise reality through ideology over time. Spoken words, then, act more like Derrida’s
notion of the “transcendental signified” (i.e., universal truth) than
shadow-like distortions and reductions of Absolute truth.
In
terms of rhetoric, Marx-via-Volosinov’s perspective on the value of mankind’s
capacity for meaning-making offers an intriguing conclusion: if socio-cultural
ideologies (and their changes over time) are based on signs, and rhetoric
depends on the use of signs for persuasion, then rhetoric, through Aristotelian
syllogistic logic, is capable of both creating
and revising ideologies. Rhetoric’s value, therefore, is
validated. Moreover, Marx’s assertions
should serve as inspirations in times of great anxiety and precautions in times
of great joy because signs, as we’ve seen, are malleable, and to reinscribe a
sign is to redefine its ideological (and/or political) value.
Patrick - I appreciated your connection to John 1:1; and there was a sense among many ancient cultures that words had a power to shape reality; which is where the concept of magic words come from, and why, for example, the Vikings viewed their scribes as magicians. Or, for another example, in many ancient cultures (including among the ancient Jews), to know someone's name was to have a certain power over them. So, in a sense, much of what has happened in the last 100 years in philosophy and cultural criticism is a rediscover and reimagining of some very ancient ideas that suddenly seem foreign in our media-saturated, transhistorical, hyper-literary culture. (For a fun exploration of the mythic, creative power of words, check out Neil Gaiman's fun novel "American Gods.")
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